colour

Studio notes by Justin Harrison


This is the perils of limited materials - reclaiming stuff means that I only have limited supply of a particular medium, wood button or metal hooks etc.

Of the two wood formations I can’t decide which I prefer best and actually want to make all of them however there is not really enough. I have to make a decision….commit!

Also I have a new obsession of Indigo blue, it actually moves me. It’s like the depths of the sea of the expanse of the universe for me. It holds mystery and passage. Can a colour do that? Is it just me?

I’m cautious about painting wood - it’s a pet hate of mine, I love the grain and the natural colouring and variants. Yet staining the wood is an instinct I can’t resist. Maybe just a bit…


 

Colour tests by Justin Harrison


So a whole session in the studio has been spent hand sanding a large diameter copper pipe. I’m allowing myself this indulgence of protracted fussing as I had also just made some faster pieces. It’s a balance right? Well maybe therapy, I had planned to use an angle grinder but it just felt wrong - disrespectful to the metals nature, the spirit of what I want to make. So I make my way up the grit papers. I was planning to go for a mirror polish but it feels tawdry somehow. I plan to knock it back by a grade or two.

It’s a test piece for my collaboration. I felt intimidated by the size and time it required so this a simplified stripped down version. Drawing should have been made at this point. but they are still in the atmosphere - I’ll pull them down later.

The copper is to test it’s reflective capabilities in low light. If it works then Jon and I can push on and develope the piece.

I do feel excited that this can develope and expand, I just need to stay relaxed and flow.

As I edit the photos for this post I also realise - that a comment made by Jonathan has sunk into my mind, and has been resurfacing from time to time. He had mentioned about my use of colour - I need to discuss this through a little more as I’m not entirely sure what he meant but it was encouraging none the less, and I become more aware as I examine the images - some colour and compositional tests.

I also wonder about etching drawing onto the copper, embroiling it and setting things, ideas and feelings into the fabric of the piece.

Also the music I’m listening to is filtering in. connecting and encouraging me. I need to keep a log as I easily forget what blesses my heart and making.

https://www.youtube.com/watch?v=3xrmTND6Jo4


 

Process by Justin Harrison

Detail from self portrait


I look like shit. I’m seriously behind on sleep. So this seems like a good time to take a self portrait photo for the collaborative project.

I take fairly brutal one straight on, but then I find myself messing with it. I can't help it. We chose the theme 'Awkward' and this can go in many directions, I play with the image till I've almost destroyed it, but then I really like it. It's become something else, it has a Gerhard Richter feel to it and the colours are working for me. I mess with I some more pushing the colours and forms. I like that I don't know where this is going but that the trajectory is interesting, it’s undergoing trnsformation///

/// I send the image and wait to se what I'll get back....

Because I keep on forgetting what I am currently interested in I’m posting now on my blog to try and centralise my resources and focus and who knows it could be useful too.

Decomposition and the science of death.

Derrida - locate a constructive element on the up cycle of deconstruction. Also reading Structure Sign and Play.

Dead horses - find anything and draw/collograph print

Walter Bruggerman - find that book Justin.

South Africa - Finish reading and research further.