Tutorial #2 27/01/2022 - Jonathan Kearney
Brief description of the things discussed
So I took notes. I need to. I get into great conversations and then promptly forget most stuff. Like last time.
We discussed in quiet a bit of detail my last blog titled ‘Disrupting the Averages’, mostly because it perhaps demonstrates well what is happening with me and my practice. There appear to be healthy changes happening and a rhythm starting to emerge as well as the work growing in its identity.
Jonathan mentioned how what’s positive is that I am learning to work in two possible ways, the methodical one that I have known well for time and a faster more immediate and spontaneous one which is as productive and valid.
I am becoming wiser about my emotional states and can instigate healthy practices to self care and encourage. The idea that I tease myself by leaving out inspirational materials or tools being one in particular.
It was also encouraging to hear that some of the entries have a eloquence to them and that there is a visual coherence across materials and images and drawing, something that Jonathan mentioned in my last tutorial.
There was some discussion about the freedom of research being a good thing yet there could be some more work done around other artists, and Jonathan questioned around my connection to Matthew Barney.
Other key areas discussed were///
Interesting positioning of the work Representation/abstract how they can both be present. JH
Joy in recent spontaneous sculpture is perhaps a key turning point. JH
Drawing in ink especially another joy for me. JH
Integrity of the materials is key to the language and spirit. JK
(We also discussed the creative process of ‘Finding Nemo’ and how unseen research becomes integerous to the work)
The more I am able to consrtuct a narrative thru the materials essence I am able to construct an integerous dialogue. And authenticity.
I mentioned about Lament and how it’s a common motif and has taken a while to become ok with it. That the lecture on lament and energising was helpful. JK also mentioned worth looking at Brugerman - ‘Prophetic imaginations’ which I have somewhere end must dig out. Also 19 thesis’s - rant / lament of USA
https://brianzahnd.com/2009/03/brueggemanns-19-theses/
Key areas in my work///
Location, Materials, Drawings in my sketchbooks that become a thing in themselves.
My relationship to dead animals - why?JK
Probably my dad showing me medical books from a young age with images of our lungs, hearts…
Why the Forest? JK
Woods removed form all man made objects. Solitutude. Lack of distraction easier to centre self. Liminal place.
3. Your thoughts about the next steps you should take
More research to inform the making, but it really doesn’t have to be academic, but things that I don’t fall asleep reading.
Capitalise on the new rhythms I am learning. ones that are productive and freeing. I have freedom but in restraint simple principals can do things in different rhythms and time frames.
Not being too precious..about my work.
Capitalise on the things that connect, materials that mean more to me - eg Claires fence panelling, as it affects how I make and feel about the work. Keep finding what inspires me - everything is research.
Enjoy drawing and don’t worry too much how it connects to everything.
Make.